Sound for Screen  CV


Sound Designer (selected):

  • Eight Ways of Looking at Marco and Liva (doc., 5 mins). Dir. Karl Forchhammer. 

National Film and Television School (2017).

  • Prey (animation, 2 mins, 2017). Dir. Dal Park.

Royal College of Art, London, England (2017).

  • The Studio (animation, 2 mins). Dir. David McShane.

National Film and Television School (2017).

  • Chocolate Pieces (fiction, 13 mins, 2016). Dir. Emma Curtis.

  • The Blind Labourer (fiction, 27 mins, 2016). Dir. Jessica Sarah Rinland.

Whitstable Biennale 2016. Kent, England. 

Natural World (2016). Close-Up Film Centre, London, England. 

London Short Film Festival 2016. ICA, London, England

  • 'Crystal Pepsi Parody' (corporate, 2 mins, 2016). Dir. Simon Ryninks.

Commissioned by SumOfUs.

  • Expression of the Sightless (doc., 6 mins, 2016). Dir. Jessica Sarah Rinland. 

Edinburgh International Film Festival 2016. Edinburgh, Scotland.

Ann Arbor Film Festival 2016. Michigan, USA.

New Horizons International Film Festival 2016. Warsaw, Poland.

  • The Girl Who Lived in Bishops’ House (installation. 20 mins). Rachel Emily Taylor. 

Art Sheffield 2016. Bishops' House, Sheffield, England. (Arts Council Award.) 

  • His Nipple (documentary, 3 mins, 2016). Dir. Jessica Sarah Rinland.

Commissioned by NOWNESS for their 'Directors' Cuts' series.

  • Apps for Good Awards (corporate series, c.60 mins, 2014/2015/2016).

Commissioned by Apps for Good.

Cinema 1, The Barbican, London, England.

  • The School (animation, 4 mins, 2015). Dir. Lara Lee.

SOROR exhibition 2015. Safehouse 1, London, England. (Arts Council Award.)

  • Against The Odds (doc. series, c. 25 mins, 2015). Birkbeck, University of London.

Filmed in Amsterdam, Netherlands and London, England.

  • ‘Dove Day’ (corporate series, c.6 mins, 2013/2014).

Commissioned by Dove, Unilever.

  • 'Architects' Ball' (corporate, 2 mins, 2014).

Commissioned by Museum of Architecture.

  • Nothing in Nowhere (fiction, 3 mins, 2013). Dir. Rachel Emily Taylor.

Flatpack Film Festival 2013. The Old Joint Stock, Birmingham, England.

  • ADA (installation). Rachel Emily Taylor. 

Adaptation (2012), Henry Moore Gallery, Royal College of Art, London, England.

  • Grandmother’s Bones (fiction, 3 mins, 2011). Rachel Emily Taylor.

Rich Mix Short Film Sessions 2011. London, England.


Sound Recordist (selected):

  • The Flight of an Ostrich. Island Films. Dir. Jessica Rinland. Short film. 2016.

  • Royal National Institute of Blind People, 'Wear Dots'. Mediablaze. Marketing film series. 2016

  • Kohlberg, Kravis, Roberts & Co. Osmosis Films. Corporate film, 2016.

  • MasterCard, ‘Rugby World Cup’. McCann London. Marketing film, 2015.

  • Microsoft, ‘The Model Agency’. McCann London. Marketing film, 2015.

  • L'Oréal, ‘Age Perfect’McCann London. Marketing film, 2015.

  • Subway, ‘360 Event’. McCann London. Marketing film, 2015.

  • TATA Communications, 'Media Ecosystem'. McCann London. Corporate film, 2015.

  • Ai Weiwei: Not at Blenheim Palace. NOWNESS. Documentary film, 2014. 

  • Whale Necropsy. Dir. Jessica Sarah Rinland. Documentary film, 2014

  • Purina, ‘Meet Purina’. McCann London. Marketing film, 2014.

  • Dubai 2020 Expo. McCann London. Marketing film, 2014.

  •, 'Find Your Story'. Essence Digital. Event film, 2013.

  •, ‘Top Secret Hotels’. None of That. Marketing film, 2013.

  • 'Faces'. Birkbeck, University of London. Documentary film, 2013.

  • 'Real Beauty by Design'. Dove, Unilever. Documentary film, 2012.

  • '10x10 Drawing The City'. Article 25. Charity film, 2012.



  • M.A. Sound Design. 2017-2019.

National Film and Television School.

(Columbia TriStar Scholar)

  • M.Mus. Studio Composition. 2011-2013.

Goldsmiths College, University of London.

  • B.A. Digital Music (1st, Hons). 2007-2010.

Teesside University. 


Short Courses:

  • Wwise short course. 2016.

School of Video Game Audio.

  • onedotzero_cascade programme. 2010.

Adventures in Motion Festival. BFI Southbank, London, England.


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